Marie Connolly of Universite du Quebec a Montreal reviews “Streaming Music, Streaming Capital” by Eric Drott. The Econlit abstract of this book begins: “Explores how the change in recorded music's commercial circulation from digital downloads to cloud-based streaming has transformed the conventions, practices, and discourses that shape both music and streaming, detailing how the ascendancy of digital platforms represents a response to the crises that have afflicted the capitalist world system since the 1970s and have intensified since the financial crisis of 2008.”